Showing posts with label Suspense. Show all posts
Showing posts with label Suspense. Show all posts

Monday, January 27, 2020

Audiobook Review: So Yesterday (Scott Westerfeld)

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Title: So Yesterday
Series: standalone
Author: Scott Westerfeld
Read By: Scott Brick
Publisher: Listening Library (Razorbill)
Release Date: September 9, 2004 (hardcover)
Genre: Young Adult Contemp Romance Suspense
Content Rating: Teen (a few words of minor language, kissing, underage drinking)
Format Read: Audio CD (6 discs)
Length: approx. 6 hours, 33 mins

Find OnGoodreads
PurchaseAzon | B&N | BookDepo | Indiebound
Summary:

Ever wonder who was the first kid to keep a wallet on a big chunky chain, or wear way-too-big pants on purpose? What about the mythical first guy who wore his baseball cap backwards? These are the Innovators, the people on the very cusp of cool. Seventeen-year-old Hunter Braque's job is finding them for the retail market. But when a big-money client disappears, Hunter must use all his cool-hunting talents to find her. Along the way he's drawn into a web of brand-name intrigue, a missing cargo of the coolest shoes he's ever seen, ads for products that don't exist, and a shadowy group dedicated to the downfall of consumerism as we know it.

*          *          *

So Yesterday was a favorite physical read back when it released in 2004, so I couldn't help but buy the audiobook when I saw the CD set at a used bookstore a few years later. I never got around to listening to it though, until I received a few puzzles this Christmas and needed something to occupy the other half of my attention while I obsessively put them together. Considering the book is over 15 years old I was curious if it had withstood the test of time, being about what was "cool" in the mid-2000s and all, but to my surprise I think it held up exceptionally well.

So Yesterday is essentially about a boy who falls for a girl who gets him into some serious trouble. It's part cool-hunting mystery, part questionable adventure, and part guy romance, which equaled a fun if somewhat unbelievable story. Hunter, cool-history nerd extraordinaire, was a relaxed but entertaining point-of-view character, and Scott Brick's narration gave him a smooth, enjoyable voice. I recall there was a lot of description, especially locational in New York City, but while I found it interesting in the moment none of it stuck with me (I don't absorb well by listening). I did try to pay closer attention to the product and cultural references though, and despite the 15-year lag either things haven't really changed all that much or Westerfeld was a cunning writer because for the most part I felt it could still be set today - or at least today's teens shouldn't find it too "dated." Overall, So Yesterday was an entertaining listen with an engaging mystery adventure, fun male POV character, and amusing romance that should hold up as a timely read even today. Highly recommend as a listen or a read.

Scribble Rating
4 of 5 Scribbles

Monday, October 28, 2019

Review: The Mediator Series 1-6 (Meg Cabot)

Shadowland (The Mediator, #1)Ninth Key (The Mediator, #2)Reunion (The Mediator, #3)
Darkest Hour (The Mediator, #4)Haunted (The Mediator, #5)Twilight (The Mediator, #6)

Titles (in order): Shadowland, Ninth Key, Reunion, Darkest Hour, Haunted, Twilight
Series: The Mediator Series, Books 1-6
Author: Meg Cabot (some originally released under Jenny Carroll)
Publisher: Avon Books
Release Date: November 1, 2000 - February 1, 2005
Genre: Young Adult Paranormal Suspense
Content Rating: Older Teen (some language, violence, scary situations, sensuality, innuendo)
Format Read: Mass Market Paperback
Find OnGoodreads
PurchaseAzon | B&N | BookDepo | Indiebound
Summary (of Book 1):

Suze is a mediator -- a liaison between the living and the dead. In other words, she sees dead people. And they won't leave her alone until she helps them resolve their unfinished business with the living. But Jesse, the hot ghost haunting her bedroom, doesn't seem to need her help. Which is a relief, because Suze has just moved to sunny California and plans to start fresh, with trips to the mall instead of the cemetery, and surfing instead of spectral visitations.

But the very first day at her new school, Suze realizes it's not that easy. There's a ghost with revenge on her mind ... and Suze happens to be in the way.


*          *          *

Series: This is a review of the first six books in the series, which comprise Suze's teen years and were originally the entire Mediator series. Meg has since released a seventh book, Remembrance, about Suze as an adult.*

The Mediator series was a favorite of my youth, discovered while browsing library shelves and delightfully devoured through my teens. It was such a favorite that I own an entire set and occasionally re-read them when I'm feeling nostalgic and in need of some classic snark.

The Voice: Mediator is essentially all about the voice. Meg does an amazing job of writing the mind of a teen, young but jaded after a lifetime of dealing with ghosts, who moves across the country to a life of "new"s: new coast, new family, new school, new friends, new loves, and naturally new people trying to kill her. Suze's first person point of view is chatty and telling and her naive yet bad girl flare really brings her story to realistic life despite the paranormal elements. Think Buffy the Vampire Slayer, or Veronica Mars (if Veronica took up ghost hunting).

The Characters: Still, despite Suze's snark and butt-kicking abilities, I must note that she is not a bright girl. Foolish at her best and suicidal at her worst, she's a hit and insult first, try to reason with later kind of gal, and she doesn't see how this is not the best mediation technique. Her communication skills, especially with the dead, are abominable, and only with luck (and typically a trip to the hospital) is she able to accomplish her job in some semblance of the word. But you don't read these books for her mad mediating skillz. You read them for her quick wit, her sweet romance with Jesse, and her ghostly albeit violent adventures. They aren't pretty, but they're entertaining.

As for Jesse, the hot ghost who shares Suze's bedroom, it must also be noted that he sadly has very little screen time. This is a grave disappointment since he is the highlight of the series, but you learn to look forward to his brief scenes and enjoy what time he graces the story. And if you make it to the final book, you are at least rewarded with a lively, Jesse-centric climax.

But then there's Paul. Conceited, creeper Paul is unfortunately as important to the last three books as Jesse (even more so, really) and therefore gets a lot of skin-crawling screen time. Meg did her job of making him unlikable way too well, and it's very easy to find the boy as repulsive as poor Suze does. If you care enough about Jesse's fate to finish the series then he's an antagonistic element you just have to accept and bear.

The Books: The first three books are classic mediator Suze, kicking butt and getting bloody. She takes on the suicidal and murderous ex-girlfriend of her first school crush in Shadowland (1), faces off with a vampire and psychotic businessman in Ninth Key (2), and the first two plots combine for a vengeful teen foursome and psychotic killer in Reunion (3). Spooky and violent, these are quick, thrilling reads that introduce Suze and her paranormal world as she struggles with her new life and confusing feelings for Jesse. (Just be ready to forgive an excess of commas.)

In the last three books, Suze's mediating world expands as she discovers there's more to her gift/curse than she ever knew. She faces deadly ghosts and a backyard body in Darkest Hour (4), meets a very different kind of mediator in Haunted (5), and exploits a newly discovered (if rather illogical) power in Twilight (6). While 4 had its moments, 5 & 6 weren't as enjoyable with their abundance of obnoxious Paul and questionable new powers. But Suze and Jesse's relationship finally reaches its romantic conclusion, and the series ends on a sweet and hopeful note for everyone's future.

Conclusion: Despite the violent undead and psychotic living out for her blood, as well as too little Jesse and way too much Paul, after nineteen years the six-book Mediator series still remains a quick and snarky teen classic for me. Suze can be a serious idiot most of the time, with the living and dead alike, but she and her life are certainly never boring. Definitely recommend for fans of Buffy the Vampire Slayer and/or Veronica Mars.

*A Note About Book 7: Book 7 sees the return of Paul in all his evil glory, so if you despise him in the teen years as much as I did, I recommend you skip Suze's adult stories as I am.

Scribble Rating
3.5 of 5 Scribbles

Monday, May 11, 2015

Review: Hold Me Like a Breath (Tiffany Schmidt)

Hold Me Like a Breath (Once Upon a Crime Family, #1)
Title: Hold Me Like a Breath
Series: Once Upon a Crime Family #1
Author: Tiffany Schmidt
Publisher: Bloomsbury
Release Date: May 19, 2015
Genre: Young Adult Suspense
Content Rating: Older Teen (minor sensuality, violence and minor disturbing images, grief)
Format Read: ARC (publisher)
Find It OnGoodreads
PurchaseIndiebound | B&N | BookDepo | Azon
Summary:

Penelope Landlow has grown up with the knowledge that almost anything can be bought or sold—including body parts. She’s the daughter of one of the three crime families that control the black market for organ transplants.

Penelope’s surrounded by all the suffocating privilege and protection her family can provide, but they can't protect her from the autoimmune disorder that causes her to bruise so easily.

And in her family's line of work no one can be safe forever.

All Penelope has ever wanted is freedom and independence. But when she’s caught in the crossfire as rival families scramble for prominence, she learns that her wishes come with casualties, that betrayal hurts worse than bruises, that love is a risk worth taking . . . and maybe she’s not as fragile as everyone thinks.


*          *          *

In a Sentence: An engrossing, surreal tale about grief, love, family, and finding the strength to stand on your own.

I'm fascinated by characters with unusual diseases and disorders (no cancer though thank you), so this was a must-read just for the autoimmune aspect alone. That it was also about a crime family, and a fairytale retelling? Be still my heart.

I was immediately engaged from Page 1 by Penelope's life and environment. Even though she was stuck at home with little to do for most of the first half of the book I was reluctant to put it down, and by the end I would've been up half the night finishing it if my health had permitted. This didn't feel like a particularly fast read, though - the writing was easy and engaging, but the content was weighty with well-crafted scenes, intrigue, the fascinating premise, Penelope's grief, and just the right amount of detail.

This is a story of "you don't know what you have until it's gone" mixed with "you can't truly know someone, no matter how long you've known them." Sheltered because of her condition by a loving family, Penelope dreamed of nothing but escape - until her life of privilege and protection was ripped away and she found herself alone to fend for herself. She understandably struggled at first, but slowly discovered a lot more strength in herself then she could've ever imagined - that her condition didn't have to be the end of the world; that she could have a life, and live it. She pushed and broke her boundaries, and although I don't have a sickness anywhere near as bad as hers, I could relate and found her perseverance inspiring.

The setting was for the most part realistic, but there were some occasionally disorienting surreal aspects. The romance was definitely of the fairytale variety, although she was no damsel-in-distress to his save-the-day prince - just the opposite, in fact. The true romantic interest wasn't introduced until over halfway through the book, which came rather out of the blue for me, but the romance lightened the otherwise grief-heavy story and gave hope to Penny and her future.

Conclusion: An intense and thoroughly engaging story that I recommend for those who love fairytale romances and/or crime family dramas. Looking forward to the second book in the Once Upon a Crime Family series next year!

For Fans Of: fairytale romances, crime family dramas, unusual illnesses

Scribble Rating
4 out of 5 Scribbles


Monday, April 20, 2015

HOLD ME LIKE A BREATH (Tiffany Schmidt) Trailer Reveal, Excerpt, Preorder Prizes & Giveaway!


Today I'm excited to help reveal the trailer (and an excerpt!) for Hold Me Like a Breath by Tiffany Schmidt, an intense and engaging YA Suspense from Bloomsbury! Also, the publisher is offering preorder prizes for their Boldly Bookish tour - lots of awesome swag is up for grabs, so be sure to check out the info below! And then don't miss the giveaway at the end for a copy of Hold Me Like a Breath - I just finished reading it this weekend and highly recommend it!


Hold Me Like a Breath (Once Upon a Crime Family, #1)

Hold Me Like a Breath (Once Upon a Crime Family #1)
Publisher: Bloomsbury
Release Date: May 19th 2015
Synopsis:

Penelope Landlow has grown up with the knowledge that almost anything can be bought or sold—including body parts. She’s the daughter of one of the three crime families that control the black market for organ transplants.

Penelope’s surrounded by all the suffocating privilege and protection her family can provide, but they can't protect her from the autoimmune disorder that causes her to bruise so easily.

And in her family's line of work no one can be safe forever.

All Penelope has ever wanted is freedom and independence. But when she’s caught in the crossfire as rival families scramble for prominence, she learns that her wishes come with casualties, that betrayal hurts worse than bruises, that love is a risk worth taking . . . and maybe she’s not as fragile as everyone thinks.





HOLD ME LIKE A BREATH
by Tiffany Schmidt

There was always a moment as I rolled down the long driveway toward the high fence surrounding the estate when my breath caught in my chest and I doubted my decision to leave. Anything could happen to me outside the perimeter of our property.
Carter interrupted my thoughts. “I told Mother we’re going to see a musical. You know what’s playing and can pick one, right?”
Of course I did. I spent hours on NYC websites, blogs, and forums. Someday I’d go into a long remission. Someday I’d live there and walk the streets of promise, freedom, and opportunity they sang about in Annie, a play I’d seen with Father on Broadway right before my life turned purple and red.
“Really?” It made sense that Mother would agree to a play. It would be safe, a seated activity. The chairs would mark out defined personal space, and I’d be perfectly cocooned between my brother and his best friend/guard, Garrett Ward. It made a whole lot less sense that Carter would voluntarily attend the theater.
He lowered his window and called a greeting to Ian, the guard on gate duty. Once his window was closed and the gate was shutting behind us, he snorted. “No, not really. That’s just what I said to buy you some extra time.”
“You should at least listen to the score then,” I countered. “You know she’s going to want to discuss it. Or, if she doesn’t, Father will. He’ll probably perform it if I ask.”
“Then don’t ask,” said Carter. “Fine. Pick a show and Garrett can download the soundtrack. We’ll listen to it once, then I get the radio for the rest of the drive—no complaints.”
It was more than I’d expected; he truly felt guilty about being so MIA. “There’s a revival of Once Upon a Mattress that’s getting great reviews.”
They snickered.
Once Upon a Mattress? That sounds like—”
I cut my brother off. “Don’t go there! It’s a fairy tale, gutterbrain.”
“Of course it is,” laughed Garrett.
I’m pretty sure the subtext of that laugh was you’re such a child. I swallowed a retort. Freedom was too rare a thing to waste arguing. And I’d never had Korean barbecue. I’d never even heard of it. There were so many things I’d never seen, tasted, experienced . . . Tension melted into giddy anticipation, bubbling in my stomach like giggles waiting to escape.
“So, how’d your super-secret errand go?” I asked. “Was it something exciting? Something illegal?”
Garrett met my gaze in the rearview mirror and shook his head.
But it was too late. Carter’s expression darkened. “Everything we do is illegal. It’s not a game where you get to pick and choose which crimes you’re okay with.”
“So it didn’t go well,” I muttered under my breath.
I knew it wasn’t a game, and I knew the Family Business was against the law. I’d known it for so long it was easy to forget. Or remember only in a vague way, like knowing the sky is blue without paying any attention to its blueness.
Only in those moments when things went wrong—when lazy clouds were replaced by threats and storms, when someone got hurt or killed—only then did I stare down the reality of the Business through a haze of grief and funeral black. My fingers tensed on the edge of the seat.
“Ignore him,” said Garrett. “He’s just pissy because the people we were supposed to meet with stood us up.”
“Someone dared to no-show for a meeting with the mighty Carter Landlow?” I teased, hoping to break the gloom settling in the car like an unwelcome passenger. “I assumed it was a Business errand, but if someone stood you up, it must be a girl.”
“No offense, Pen, but you don’t have a clue what’s going on in the Business.”
No offense, Carter, but you’re being a—”
“Who wants to hear some songs about mattresses?” interrupted Garrett. He reached for the stereo, but Carter swatted his hand away.
“I’m not an idiot,” I said. And wishing for things that had been denied for so long was idiotic. No less so than repeatedly bashing your head against a wall or touching a hot iron. I knew the answer was no, was always going to be no, so asking to be included in Family matters was like volunteering to be a punch line for one of the Ward brothers’ jokes.
But I knew the basics. It wouldn’t be possible to live on the estate, spend so much time in the clinic, and not know. The first person to explain it to me had been my grandfather; fitting, since he was the man who’d reacted to the formation of FOTA—the Federal Organ and Tissue Association—by founding our Family.
The same day I’d demanded a kidney for Kelly Forman, he’d sat me down and demonstrated using a plate of crackers and cheese. “When donation regulation was moved from the FDA to FOTA, they added more restrictions and testing.” He ate a few of the Ritz-brand “organs” on his plate, shuffled the empty cheese slices that represented humans who needed transplants. “This, combined with a population that’s living longer than ever
before”—he plunked down several more slices of cheese—“created a smaller, slower supply and greater demand.” He built me an inside-out cheese-cracker-cheese sandwich. “It was a moment of opportunity, and when you see those in life, you take them.”
This felt like a moment of opportunity. And not to prove that I wasn’t an idiot by listing all the facts I knew—about how the Families provided illegal transplants for the many, many people rejected from or buried at the bottom of the government lists. How more than two-thirds of those who made it through all the protocols to qualify for a spot on the official transplant list died before receiving an organ. Or to recite the unofficial Family motto: Landlows help people who can’t afford to wait, but can afford to pay.
“Fine, tell me what I don’t know,” I said. “Tell me what’s going on, why you and Father are fighting, and what’s keeping you so busy. Tell me everything.”
Garrett muttered something that sounded suspiciously like “Don’t do this,” but since my brother ignored him, I did too.
Carter’s eyes met mine in the rearview mirror. “None of this leaves the car, Pen. I’m trusting you.”
“I understand.” I sat a little straighter. “And I promise.”
A phone beeped with a text alert, almost immediately followed by a ringtone that made them jump. Carter picked up his cell, swore, showed the screen to Garrett, then swore again. All the buoyancy of freedom seemed to evaporate from the car.
“Now? They blow us off earlier and expect us to answer now?” said Garrett.
“Well, it’s not like these things can be scheduled,” replied Carter, jabbing the screen of his cell. “Hello?”
He muttered low and furious into the phone, then hung up, still cursing. “We have to do the pickup.”
Garrett’s frowned. “No one else can do it?”
He shook his head.
“Pick up what?” I asked.
Carter opened his mouth, but Garrett put a hand on his arm. “She’s seventeen. Let her be seventeen. There’s plenty of time to get her involved later.”
“When we were seventeen we were already sitting on council, visiting the clinics, meeting with patients. She can’t even tell a kidney scar from a skin graft—she needs to catch up.”
She can make her own decisions, she is sitting right here, and she is coming along to what ever this mysterious pickup is, so she’s already involved,” I snapped.
“You are not coming,” said Garrett.
“We don’t have a choice, unless you want me to leave her on the side of the highway. This is our exit.” Carter was clutching his cell phone, shaking it as if that could erase what ever the text instructed him to do.
Garrett groaned. “You’re staying in the car.”
I hid my smile by looking out the window. It had gotten dark while we were driving, the dusky purple of summer evenings. On the estate these nights buzzed with a soundtrack of cicadas and crickets, but there was no nature outside the car. Nothing but concrete and pavement and cinder-block industrial construction. We pulled into a parking lot. A poorly lit, empty parking lot.
“Where are we? What are we picking up?” I examined Garrett’s stiff posture and the bright gleam in my brother’s eyes. “Does Father know about this Business errand?”
“No, and you’re not going to tell him,” Carter answered.
“Oh, really? So what am I going to do?”
“Stay in the car. Lock the doors. Keep the windows up.” Carter turned around to look me in the eye. “This isn’t a joke, Pen. If I’d known this was going to come up, I would’ve left you at home.”
“Please, princess,” added Garrett in a soft voice, but his eyes didn’t leave the windshield, didn’t stop their scan of the parking lot.
“Fine, but when you’re done, you’re filling me in. Then I can decide if I want to be part of it or not.” It was all false bravado. Each one of Carter’s statements tied another knot in my stomach; Garrett’s plea pulled them tighter.
Carter dumped a half dozen mints from the plastic container in his cup holder into his mouth—like his breath mattered, like this was a date not a disaster. He waved the container at us, but we shook our heads. He crunched the candies and said, “Gare,
you’re hot, right?”
I blurted out, “You can turn on the A/C, I’m not cold,” before I caught on: Garrett pulled a gun from a holster below the back of his shirt.
They laughed, but it wasn’t funny to me. I’d been to too many funerals—they’d been to more. I wanted to ask how long he’d been “hot.” If he always had a gun on him. Had he when we went mini golfing at Easter? Or the time last summer when I slipped on the pool deck and he’d carried me to the clinic? No. He couldn’t have then. He’d been wearing a swimsuit too—there’s no way he could’ve hidden a gun.
So what had happened in the past year, and why was he carrying one now?
Garrett was Family, he was a Ward, but he wasn’t supposed to follow his brothers’ footsteps. Or his father’s. They were enforcers, but he didn’t belong in their grim-faced, split knuckles ranks. That was why he was in college with Carter—Garrett was going to be his right-hand man when my brother took over the Business.
Not a thug with a gun.
“Stay here, Pen,” Carter said again, then slipped out into the night. His keys still dangled from the ignition, the engine still hummed.
Garrett lingered an extra moment. “This shouldn’t take long. And everything’s okay. I don’t want you to worry.”
“I’m not.” I would’ve sounded believable if my voice wasn’t quivering. If I weren’t clutching fistfuls of my dress.
“You’re cute when you’re worried.” Garrett winked, and then he too was out in the darkness and humidity and I was alone.
I tried to lower my window—just a crack, enough to let in voices but not even mosquitoes—except Carter must’ve engaged some sort of child lock. I stared out the tinted glass, watched as their shadows grew gigantic on the wall as they approached the
ware house, then disappeared around its corner.
No matter how hard I concentrated, my eyes couldn’t adjust enough to make sense of the dark. Maybe it was the placement of the parking lot lights—how I had to peer through them to see the warehouse beyond.
After they’d left this afternoon, I’d rushed to the clinic to model different outfits for Caroline. She’d teased. We’d laughed. I’d blushed and daydreamed about the lovely combination of me, Garrett, and NYC.
But in my daydreams, Garrett hadn’t been wearing a gun.
And now we were parked somewhere made of shadows and secrets and fear that sat on my tongue like a bitter hard candy that wouldn’t dissolve.
The car still smelled like them. Their seats were still warm when I leaned forward and pressed my hands against the leather. But I couldn’t see them. What if the dark decided never to spit them back out again?
This wasn’t the Business as I knew it: secret transplant surgeries that took place at our six “Bed and Breakfasts” and “Spas” in Connecticut, Vermont, Maryland, Maine, Massachusetts, and South Carolina, where we saved people like Kelly Forman. She’d been ten when she needed a kidney transplant, but her chromosomal mutation—unrelated to her renal impairment—earned her a rejection from the Federal Organ and Tissue Agency’s lists. According to them, Down syndrome made her a “poor medical investment.” FOTA wrote her a death warrant. We saved her life.
She graduated from high school a few weeks ago. The past nine years since we’d met—she wouldn’t have had those without the Family Business.
That was enough. That was all I needed to know. Illegal or not, that was good.
I heard something. A crack so sharp it echoed and seemed to fill the spaces between my bones, making me shiver. I prayed it was a car backfiring.

Then it happened again.



For more information click here.

This spring, Bloomsbury's sending four amazing authors—Trish Doller, A.C. Gaughen, Emery Lord, and Tiffany Schmidt—to bookstores together for our Boldly Bookish tour. To celebrate it, they are giving away some goodies! All you have to do is buy one of the following books: The Devil You Know, Lion Heart, The Start of Me and You and/or Hold Me Like A Breath and email your receipt to teensusa@bloomsbury.com in order to receive one of the following prizes:
  • Preorder 1 of the books pictured above, and get a Boldly Bookish logo sticker.
  • Preorder 2 of the books pictured above, and get a sticker + a Boldly Bookish bookmark!
  • Preorder 3 of the books pictured above, and get a sticker + bookmark + a Boldly Bookish button!
  • Preorder all 4 of the books pictured above, and get a sticker + bookmark + button + a Boldly Bookishmagnet!
And remember, the more books you preorder, the more Boldly Bookish swag you get!




Tiffany Schmidt lives in Pennsylvania with her saintly husband, impish twin boys, and a pair of mischievous puggles. She's not at all superstitious... at least that's what she tells herself every Friday the thirteenth.

Tiffany has two previous YA books: SEND ME A SIGN (2012) and BRIGHT BEFORE SUNRISE (2014) from Walker Childrens. The ONCE UPON A CRIME FAMILY series begins with HOLD ME LIKE A BREATH (2015), and will follow with BREAK ME LIKE A PROMISE in 2016.